對(duì)立、融合與超越—論《一間自己的房間》中女性主義的升華

畢業(yè)論文

Abstract

Virginia Woolf is a world-famous English writer. And she is one of important representatives of modernism and stream of consciousness. Her essay A Room of One’s Own is a classical work of feminism.
This paper analyses the development of feminism in Virginia Woolf’s A Room of One’s Own. The exploration of this subject is made in three steps with woman and fiction on its two constant clues. The three parts of this paper are the three different levels of feminism’s development. The first part of the paper elaborates on the misogyny—the opposition of two sexes. It includes that the economy limitation on woman’s development, and the traditional way of thinking and men value standard which impact woman writers seriously in spirit. The second part dwells on the androgyny level. As woman realize the value of their own, woman writers begin to look for their own identities and standard which are different from men’s. Woolf doesn’t only find the differences between two sexes, but also realizes that men and women are not simply oppositive. So she refers to an ideal of androgyny. The last part is transsexualism level. Woolf agrees with Coleridge believing that the writers must be woman-manly or man-womanly. And one can write great novel only if he or she can balance two sexes in his or her mind.
Although, Woolf’s feminism concept is seemed as submission by some radical feminists, but I think , in order to get the liberation, the two sexes should communicate to each other instead of opposition.

Key words: feminism; misogyny; androgyny; transsexualism

摘  要

弗吉尼亞•伍爾夫是蜚身世界文壇的英國(guó)女作家。作為杰出的小說(shuō)家，她是現(xiàn)代主義的信徒和意識(shí)流小說(shuō)的重要代表之1。其著作《1間自己的房間》被世人奉為女權(quán)主義的宣言和經(jīng)典之作。
本文從女性主義發(fā)展的角度對(duì)弗吉尼亞•伍爾夫的《1間自己的房間》的內(nèi)容進(jìn)行了分析。它以貫穿該文章的兩大主題--女性與小說(shuō)作為線(xiàn)索，對(duì)女性的生存、生活狀況以及女性主義的發(fā)展升華進(jìn)行了論述。首先論述了兩性的對(duì)立層面。它包括了女性的發(fā)展所受到社會(huì)經(jīng)濟(jì)和傳統(tǒng)觀念的制約，以及建立在兩性對(duì)立基礎(chǔ)上的社會(huì)意識(shí)、思維模式和倫理價(jià)值標(biāo)準(zhǔn)對(duì)女性作家的深刻影響。接著是融合層面。隨著女性自我意識(shí)的覺(jué)醒，女性作家開(kāi)始尋找女性不同于男性的自我身份和價(jià)值觀，同時(shí)致力于確定女性的話(huà)語(yǔ)方式。伍爾夫既看到了兩性的差異，又認(rèn)為兩者并非簡(jiǎn)單對(duì)立。因此她提出了富于辯證精神的兩性融合的理想。最后是超越層面。伍爾夫贊同柯勒律治的觀點(diǎn)，相信作家創(chuàng)造性的心靈應(yīng)該同時(shí)兼?zhèn)淠信畠尚缘奶卣�。只有�?dāng)作家心中的兩性因素協(xié)調(diào)時(shí)，才有可能寫(xiě)出偉大的作品。                                                              
伍爾夫深刻獨(dú)到的女性主義觀點(diǎn)為當(dāng)時(shí)女性主義的發(fā)展做出了貢獻(xiàn)。盡管伍爾夫的雙性同體思想被后來(lái)1些激進(jìn)的女權(quán)主義者視為是1種投降與妥協(xié)，但我認(rèn)為，男性同樣受到父權(quán)制文化傳統(tǒng)的制約，由此可見(jiàn)，男女兩性自身的解放并不是通過(guò)對(duì)立與斗爭(zhēng)得到，而是在交流、對(duì)話(huà)和互補(bǔ)中獲取。

關(guān)鍵詞: 女性主義；對(duì)立；融合；超越

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