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淺談中國(guó)手風(fēng)琴音樂(lè)作品的創(chuàng)作特征
畢業(yè)論文
摘 要
手風(fēng)琴傳入中國(guó)已經(jīng)有百多年的歷史了,從最初的廣泛作為伴奏樂(lè)器外,逐步以獨(dú)奏、重奏、合奏等形式在表演中出現(xiàn)，成為人們喜聞樂(lè)見(jiàn)的1種樂(lè)器。因此，人們對(duì)中國(guó)手風(fēng)琴作品的需求量越來(lái)越大，但是由于專(zhuān)業(yè)的作曲家很少，造成了多數(shù)作品內(nèi)容、作曲技巧的陳舊，很多前輩的作曲家都說(shuō)過(guò)，手風(fēng)琴音樂(lè)，作為1個(gè)年輕的專(zhuān)業(yè)，沒(méi)有它自身特點(diǎn)的作品，尤其是本國(guó)、本民族風(fēng)格與內(nèi)涵的作品，這個(gè)專(zhuān)業(yè)是很難發(fā)展起來(lái)的。鑒于這1說(shuō)法，本文重點(diǎn)簡(jiǎn)單闡述了中國(guó)手風(fēng)琴作品的創(chuàng)作特點(diǎn)。
中國(guó)近現(xiàn)代作曲家們善于把藝術(shù)和生活結(jié)合起來(lái)，他們對(duì)于如何運(yùn)用手風(fēng)琴音樂(lè)手段表現(xiàn)時(shí)代生活的題材作了許多嘗試。而且，他們的創(chuàng)作根植于民族民間音樂(lè)基礎(chǔ)之上。許多作品都具有濃郁的民族風(fēng)格和地方特色。中國(guó)手風(fēng)琴作品獨(dú)具特色的民族音樂(lè)風(fēng)格使其不僅被大眾接受，同時(shí)也能加深人們對(duì)樂(lè)曲寓意的理解。作曲家運(yùn)用生動(dòng)的音樂(lè)形象思維對(duì)特定題材內(nèi)容的精致概括，使得中國(guó)的傳統(tǒng)精神、民族氣節(jié)和審美情趣與表現(xiàn)出來(lái)。同時(shí)，在中國(guó)手風(fēng)琴創(chuàng)作上還體現(xiàn)出創(chuàng)作思維、演奏技巧上的創(chuàng)新等等。
關(guān)鍵詞：中國(guó)手風(fēng)琴音樂(lè)；發(fā)展；創(chuàng)作；特征；民族
ABSTRACT
The introdudction of accordion to China already has more than hundreds years. As one of extensively used musical instruments, it gradually appears in solo, again plays, instrumental ensemble, and becomes one kind of popular instrument. Therefore, people’s demand on Chinese accordion works becomes more and more big, but actually, there are very few specialized composers in China, whose works’ content, composing skills are obsolete. Many senior composers once said : “as a young specialty, having no works with their own characteristics, especially their own country, and nation’s style, this specialty will be very difficult to develop.” According to this view, this thesis mainly focuses on the creation characteristics of Chinese accordion work. First, the composers are good at the combination of art and life. They make many attempts to present the time and life themes, by using of the music method. Second, rooting in the national folk music is the basic principle of Chinese accordion creation. They always pay much attention to the folk music, the folk song as well as the music of nationalities. Many works of them have the rich national style and the characteristic. Chinese accordion works’ national music style in not only accepted by the public, but also can deepen people’s understanding of the music. The composer use the vivid musical image thought to summarize the specific theme and content, expressing Chinese traditional spirit, national moral courage and esthetic. Third, the characteristics of innovation, including thought, play skills and so on.
Key words: China’s accordion music; development; creation; characteristic; nation
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