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愛(ài)倫坡與孟郊創(chuàng)作心理和手法的異同-英語(yǔ)論文范文
Abstract
In the history of Chinese and American literature, there are two poets alike, one is the romantic poet in the nineteen century America called Edgar Allan Poe, and the other is Meng Jiao who lived in the Tang Dynasty of China. They have their unique creative style on art, but different from others' creative mentality and esthetic features, so they can hold a place for themselves in Chinese-American literary history.
In this topic, the author try to analyze two poets' similarities and disimilarities of their creative mentality and technique thorough the comparison. According to the investigate of their inverse creative mentality, the orientation of aesthetic judgment and their unique creative skills, the author consider that they have an unusual insight in investigating the world, ode to death and ugly, and express their thirst of aliveness by using death.
The same fate lead to their similar creative mentality, and the different cultural background result in combined culture study and comparative study both in and out to unfold a series comparison to two poets. Besides concluded their similarities, the author even held the features in each of their creation.
Key words: Edgar Allan Poe, Meng Jiao, creative mentality, symbol,
the orientation of aesthetic judgment, comparative study
摘 要
中美文學(xué)史上有兩個(gè)人比較相似，那就是美國(guó)19世紀(jì)浪漫主義詩(shī)人愛(ài)倫坡與中國(guó)唐代苦吟詩(shī)人孟郊。他們都以自己獨(dú)特的藝術(shù)創(chuàng)作風(fēng)格，卻有別于他人的創(chuàng)作心理和審美特征，在中美兩國(guó)的文學(xué)史上占有一席之地。
本文試圖通過(guò)對(duì)他們的比較，分析兩人相同的和不同的創(chuàng)作心理和手法。作者對(duì)他們逆向藝術(shù)創(chuàng)作心理和審美取向以及獨(dú)特的創(chuàng)作手法進(jìn)行考察，認(rèn)為他們是以非同常人的眼光去審視人生世界，歌頌死亡，歌頌丑陋，用死亡去表達(dá)對(duì)生的追求，以美的破壞去獲得美的實(shí)現(xiàn)的。
相同的命運(yùn)導(dǎo)致相似的創(chuàng)作心理，不同的文化背景導(dǎo)致不同的創(chuàng)作手法。本文結(jié)合國(guó)內(nèi)外文學(xué)研究、比較研究對(duì)兩位詩(shī)人展開(kāi)了一系列的比較。在總結(jié)他們的相似處之外，作者更是指出了他們?cè)趧?chuàng)作中的特點(diǎn).
關(guān)鍵字：愛(ài)倫坡，孟郊，創(chuàng)作心理，象征，審美取向，比較研究
Introduction
In the history of Chinese and American literature, there are two poets alike, one is the romantic poet in the nineteen century America called Edgar Allan Poe, and the other is Meng Jiao who lived in the Tang Dynasty of China. They have their unique creation style in art, but different from others' creative mentality and esthetic features. So they can hold a place for themselves in Chinese-American literary history. The unique feature in Poe and Meng Jiao's creation is that they all deviate the current literature of their epoch. They have an unusual insight in investigating the outlook on life, sing the death and ugly, and to express their thirst of aliveness and the pursuit of love by using death.
So far, there hardly have any comparative study on Poe and Meng Jiao overseas. But although studies can be found in the interior of country, we have never seen any study on their disimilarities result from their different cultural background, and even few study on their similariies in the visual angle of symbol and aesthetics.
In this topic, we merged Poe and Meng jiao into Chinese-American transcultural system, connected different subjects, and widely linked ancient-modern literature theory to unfold transcultural study. It includes the emergence of inverse mentality of two poets and symbol in their works in forms of weirdo, fantasy, shiver and so on. Before starting this paper, it needs collecting comprehensive materials. When writing, it needs laying stress on the fact, and flexiblely using proper provable methods, to make the paper unexaggerative. This topic has an effect on the foreign literature study and comparative study of our country.
The whole paper is divided into three parts. At first, it introduces two poets and something about their literary background. Next, it unfolds the comparison between two poets. Similarities first. Then analynizes their disimilarities in their creation. Through this paper everyone can get a newly recognization about them and their poems.
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