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簡單的鎮(zhèn)江英語導(dǎo)游詞
作為一位無私奉獻的導(dǎo)游，時常會需要準備好導(dǎo)游詞，導(dǎo)游詞是導(dǎo)游員同游客交流思想，向游客傳播文化知識的工具，也是應(yīng)用寫作研究的文體之一。優(yōu)秀的導(dǎo)游詞都具備一些什么特點呢？以下是小編為大家收集的簡單的鎮(zhèn)江英語導(dǎo)游詞，希望能夠幫助到大家。
簡單的鎮(zhèn)江英語導(dǎo)游詞1
Jinshan is located in the northwest of Zhenjiang City, 43.7 meters abovesea level, covering an area of 41.6 hectares. Jinshan is one of the scenic spotsin China since ancient times. In ancient times, Jinshan was originally an islandstanding in the middle of the Yangtze River, with the reputation of "a beautifulHibiscus in the middle of the river". In the Tang Dynasty, Zhang Hu described itas "seeing in the shadows of trees and hearing the bells on both sides of theriver"; in the Northern Song Dynasty, Shen Kuo praised it as "the water on bothsides of the building is connected, and the sky is in the mirror in the northand South of the river". It used to be an island in the Yangtze River. Due tothe "great river flowing to the East", it was connected with the land around theend of the reign of Emperor Guangxu of the Qing Dynasty (1903). There are manyplaces of interest in Jinshan, such as lengjietai, miaogaotai, Guanyinge, Fahaicave, guxianren cave, gubailong cave, etc.
There are many places of interest in Jinshan. The exquisite and beautifulcishou pagoda stands on the top of the mountain in the northwest of Jinshanmountain, 30 meters high. It matches the whole Jinshan mountain and the JinshanTemple just right, as if it has lifted the mountain. The brick and woodstructure of the tower, up and down traffic, each floor eight sides havecorridors and railings, eight sides ventilation, there are scenery, differentscenery layers, Song Dynasty Wang Anshi poem: "several towers pillow layers ofstone, four wall windows open face wind, suddenly see the birds fly on theground, start startled in mid air.". Another example is the lengjietai,miaogaotai, Guanyin Pavilion, Fahai cave, guxianren cave, ancient Bailong caveand other places of interest. They are all built on the basis of rock drillingby the side of the mountain. Their ingenious design makes people admire themagical wisdom and superb art of the builders. Zhang Chuanshan, a great poet andcalligrapher of the Qing Dynasty, said in his crossing the river in the snow onthe 16th: "old friends, when they fold bamboo slips together, the road is notfar from the river. The mellow wine steals away the snow in Jingkou, and the bigsail presses the tide in Haimen. The lights in Yangzhou are hard to make themoon, and the Sheng song in Wu city is left with this flute. The wind and wavesare thousands of miles away, and the two wonderful lotus flowers are Jinjiao. "Compare Jinshan to a beautiful lotus.
Jinshan has many names since ancient times. The ancients compared theYangtze River to the perfume sea, comparing the mountain to the seven Jinshan inHuayan Jing, so it is called Jinshan. There is another saying in the book ofnine regions written by Wang Cun of the Song Dynasty: Fa Hai, an eminent monk ofthe Tang Dynasty, came here to repair the temple for his son. He cut throughthorns and thorns in the mountains every day and dug gold one day. Li Qi, alocal official, rebelled against the emperor. The emperor ordered that gold behanded over to Fahai for temple restoration, and the mountain was named Jinshan.In addition, Jinshan was once called Zexin mountain, Fuyu mountain, Huofumountain, Longyou mountain, Zijin Mountain, etc. The name of Jinshan is relatedto Jinshan Temple, which is built cleverly according to the mountain and has aunique architectural style. There are many buildings in the back of the temple,and the pavilions and pavilions are connected layer by layer. The mountain andthe temple are integrated to form a group of ancient buildings. The scenery isspectacular and magnificent, forming a unique style of "temple wrappedmountain". Since the Song Dynasty, there has been a saying in Beijing that"Jinshan Temple wraps the mountain, Jiaoshan mountain wraps the temple.".
Jinshan is also known as "myth mountain". Every historic site on themountain has charming myths, legends and stories. This is the origin of thewell-known Chinese classical myth "the legend of the White Snake", which iswidely spread among the people and adds a very charming color to this famouscity. In the novel Shuo Yue Quan Zhuan, Yue Fei visited the Jinshan historicsite "Qifeng Pavilion", which has a pleasant scenery. In the chapter novel watermargin, Zhang Shun lies in Jinshan Temple in the night, and Song Jiang takesRunzhou city (that is, today's Zhenjiang City) wisely. Emperor Kangxi andEmperor Qianlong of Qing Dynasty visited Jinshan many times and left many"imperial" cultural relics. There are many folk tales about Qianlong in Jinshan,which makes Jinshan more famous. Poets, calligraphers, celebrities and scholarsof all ages, such as Bai Juyi, Li Bai, Zhang Hu, sun bream, Su Dongpo, WangAnshi, Shen Tuo, Fan Zhongyan, Zhao Mengfu and Wang Yangming, visited the scenicspots and left many precious relics and popular chants. Since the Tang Dynasty,there has been an endless stream of international friends and tourists. Yangxuezhou, a Japanese painting monk in the Ming Dynasty, lived in Jinshan for twoand a half years. He painted "the picture of Jinshan Longyou temple in themiddle of Yangtze River in the Tang Dynasty" and other paintings about Jinshan,which are now preserved in the temple.
Jinshan, a green snail like hill, contains a lot of romantic past eventsand has infinite charm, attracting numerous Chinese and foreign poets andtourists. Some people say that "if you don't go to Jinshan in Zhenjiang, you'venever been to Zhenjiang". This has its own truth. When you visit Jinshan, youwill understand the mystery. Jinshan tour route
Jiangtian Temple -- sunset Pavilion -- Guanyin Pavilion -- lengjiatai --foyinshanfang -- Jinshan Sibao -- cishita -- gufahai Cave -- Liuyun Pavilion --miaogaotai -- Qifeng Pavilion -- Bailong Cave -- Chaoyang Cave -- guxianren Cave-- Yudai bridge -- yudock -- GuoPu tomb -- Jiangtian temple, the first spring inthe world
簡單的鎮(zhèn)江英語導(dǎo)游詞2
Zhenjiang museum is a comprehensive museum of local history and art. It wasfounded in 1958. The site of the museum is the former British Consulate,covering an area of 11700 square meters. Five East Indian style buildings arebuilt on the mountain. In 1995, a cultural relics storehouse of 1780 squaremeters was built, covering an area of 5456 square meters. In 1996, it wasapproved by the State Council and announced as a national key cultural relicsprotection unit. In this art palace, there are more than 30000 cultural relicsfrom the stone age to the Ming and Qing Dynasties and 100000 ancient books.Among them, there are one Chinese treasure level cultural relic, more than 70national first-class cultural relics and more than 300 second-class culturalrelics. The collection features bronze wares of the Western Zhou Dynasty,celadon wares of the Six Dynasties, gold and silver wares of the Tang, song,yuan and Ming Dynasties, and calligraphy and painting of the Ming and QingDynasties. These treasures are shining with the wisdom and civilization of theChinese nation, showing the historical development of the ancient city ofZhenjiang.
The site of Zhenjiang Museum, the former British Consulate, is located atthe foot of Yuntai mountain. It is a group of buildings with East Indian style.After the second Opium War, the Qing government and British imperialism signedthe "Tianjin treaty" in 1858, and Zhenjiang was opened as a trading port. Afterthe failure of the Taiping Heavenly Kingdom in 1864, the British imperialistsbegan to build consulates on Mount Yuntai.
In 1889, the British patrol beat up Chinese hawkers, which caused greatindignation of the people in Zhenjiang, and then burned the British Consulate.The incompetent Qing government compensated 40000 taels of silver for thereconstruction, which was completed in 1890.
In October 1933, the British Consulate in Zhenjiang returned to the handsof the Chinese people, ending the privileges of British imperialism inZhenjiang.
It has been used as the site of Zhenjiang museum since 1962.
In 1982, it was announced by Jiangsu Provincial People's government as akey cultural relic protection unit of modern historical relics and revolutionarymemorial buildings.
In 1996, it was announced as a national key cultural relics protection unitby the State Council. In recent years, the State Administration of culturalrelics and the provincial and municipal governments have repeatedly allocatedfunds for maintenance.
The former site of the British Consulate in Zhenjiang is not only thehistorical evidence of the corruption and incompetence of the Qing governmentand the invasion of China by British imperialism, but also the historicalwitness of the Chinese people's brave resistance to imperialist aggression andoppression.
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