關(guān)于傳統(tǒng)音樂(lè)和國(guó)際音樂(lè)的雅思英語(yǔ)作文

　　國(guó)際音樂(lè)是被普遍接受的，對(duì)于傳統(tǒng)音樂(lè)的發(fā)展我們也要重視。下面有小編整理的關(guān)于傳統(tǒng)音樂(lè)和國(guó)際音樂(lè)的雅思英語(yǔ)中文，大家可以參考參考。

　　Due to the advancement of era, international music is universally recognized and accepted. It not only bridges cultures but also stimulates geographic communication. Therefore, accumulative numbers of people propose that we should promote international music at full steam. Nevertheless, others argue that traditional music deserves more attention because it embodies racial civilization. In fact, from all the aspects, traditional music is part of international music, and, in the meantime, international music is based on traditional one. Both of them ought to be promoted.

　　To define the terms of international music and traditional one comes first. International music falls to multitudes of factors, instancing classic music, pop music, R&B, and global traditional music. Simultaneously, traditional music is categorized into local and international. Therefore, we can see that the word of international represents a platform, and traditional is content. They are inseparable. Hence, while promoting international music, we must attach great importance to traditional one, and vice versa.

　　Another reason of progressing both international and traditional music is that they are mutually supportive. The significance of this practice has been evidenced by a Chinese work, Jasmine. This piece was passed to generations and enjoyed great reputation in China. However, the work wasn’t globally welcomed until it was performed in New Year Symphony, Vienna in 1994. It is apparent that this masterpiece makes international music more brilliant and international music makes it remarkable.

　　To sum up, traditionalized international music and internationalize traditional music are co-existent, so the evolution of former must be in conformity with the latter. Otherwise, we can not sustain them because both platform and content are indispensable. (267)

　　參考翻譯：

　　由于時(shí)代的進(jìn)步,國(guó)際音樂(lè)是普遍承認(rèn)和接受。它不僅橋梁文化也刺激地理溝通。因此,累計(jì)人建議我們應(yīng)該促進(jìn)國(guó)際音樂(lè)完整的蒸汽。然而,其他人認(rèn)為,傳統(tǒng)音樂(lè)更值得關(guān)注,因?yàn)樗�體現(xiàn)了種族文明。事實(shí)上,從所有方面,傳統(tǒng)音樂(lè)是國(guó)際音樂(lè)的一部分,而且,與此同時(shí),國(guó)際音樂(lè)是基于傳統(tǒng)。他們應(yīng)該被提升。

　　定義國(guó)際音樂(lè)和傳統(tǒng)。國(guó)際音樂(lè)落在眾多因素,實(shí)例化古典音樂(lè),流行音樂(lè),R&B,全球傳統(tǒng)音樂(lè)。同時(shí),傳統(tǒng)音樂(lè)分為本地及國(guó)際。因此,我們可以看到,國(guó)際這個(gè)詞代表一個(gè)平臺(tái),與傳統(tǒng)內(nèi)容。他們是分不開(kāi)的。因此,在促進(jìn)國(guó)際音樂(lè),我們必須高度重視傳統(tǒng),反之亦然。

　　發(fā)展國(guó)際和傳統(tǒng)音樂(lè)的另一個(gè)原因是,他們是相互支持的。這種做法的意義中國(guó)的工作已經(jīng)證明了這一點(diǎn),茉莉花。這篇文章傳遞給后代,在中國(guó)享有盛名。然而,工作不是全球歡迎直到新年交響樂(lè)團(tuán),1994年維也納。很明顯,這使得國(guó)際音樂(lè)更輝煌的杰作和國(guó)際音樂(lè)引人注目。

　　總之,traditionalized國(guó)際音樂(lè)和傳統(tǒng)音樂(lè)國(guó)際化co-existent,所以的進(jìn)化前必須符合后者。否則,我們不能維持他們,因?yàn)槠脚_(tái)和內(nèi)容都是必不可少的。(267)

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