иxyc(din)Ͳ(du)ľ(du)(sh)Ϣ}Ӻ}}Ƚ}gӵӰ푵иxCϳɿ@҂ҪѴһc(din)ֻІ~ӽY(ji)(gu);ɲh(yun)Ҫ
иx֮һ
1. Wearing masks and costumes they often impersonated other people animals or supernatural beings and mined the desired effect – success in hunt or battle the coming rain the revival of the Sun – as an actor might.
ʢb˂(jng)ݸN(dng)Ȼ`һ(g)һ(g)C(zhn)Ы@١āRꖹجF(xin)ĽY(ji)
иx֮
2.But these factors do not account for the interesting question of how there came to be such a concentration of pregnant ichthyosaurs in a particular place very close to their time of giving birth.
@Щ(sh)ܽ@(g)˸dȤĆ}Ǟʲôһ(g)Ŀĵط˵ļ@ôе~
иx֮
3.A series of mechanical improvements continuing well into the nineteenth century including the introduction of pedals to sustain tone or to soften it the perfection of a metal frame and steel wire of the finest quality finally produced an instruments capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound from a liquid singing tone to a ship percussive brilliance.
ʮo(j)һϵгm(x)ęC(j)еM(jn)̤ĂٽY(ji)(gu)ƺ䓽z|(zh)a(chn)һNݼ{o(sh){(dio)——µĺҵһ(g)ҵһ(g)峺ĸx͵ÓЧ——Ę
иx֮
4.Accustomed though we are to speaking of the films made before 1972 as “silent” the film has never been in the full sense of the word silent.
mȻ҂(x)TՄ1972ǰӰǟoһȫԵԒfӰāͲǛ]
иx֮
5.For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra and very often the principal qualifications for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces.
ԁӰxȫڌ(do)ݺ(do)ͨ@Щ(qun)ҪYļˇƷζ?yn)дĂ(g)زĎ
иx֮
6.Rather they were made of a top layer of woolen or glazed worsted wool fabric consisting of smooth compact yarn from long wool fibers dyed dark blue green or brown with a bottom layer of a coarser woolen material either natural or a shade of yellow.
M(jn)һһ(g)플ë⻬ľë⻬oļLëwSȾmɫGɫɫӺдֲȻĺͰSɫë
иx֮
7.For good measure during the spring and summer drought heat hail grasshoppers and other frustrations might await the weary growers.
ڴļҪ_ȸɺxpʧһƣڵ
иx֮
8.What we today call America folk art was indeed art of by and for ordinary everyday “folks” who with increasing prosperity and leisure created a market for art of all kinds and especially for portraits.
҂^gˇg(sh)(sh)Hͨϰյˇg(sh)ͨϰՄ(chung)ˇg(sh)ͨ͞ϰպճᵽ“gʿ”ˇg(sh)һ(g)?c)?hu)՝user(chung)һ(g)NФNˇg(sh)Ј
иx֮
9.The people had no agriculture but over thousands of years had developed techniques and equipment to exploit their environment basing their economy on fishing in streams and coastal waters that teemed with salmon halibutand other varieties of fish; gathering abalone mussels clams and other shellfish from the rocky coastline; hunting land and sea mammals; and collecting wild plant foods.
]r(nng)I(y)ǽ(jng)^ǧѽ(jng)l(f)չ̽h(hun)ļg(sh)O(sh)ǻڴF(xin)q~Ŀ~N~ˮ~Ľ(jng)(j);ڏɽˮۼU~ؐ(dng)Ľ(jng)(j);ڲCͺ(dng)Ľ(jng)(j);ԼռҰֲʳĽ(jng)(j)